The Unintentional Outcome of the Movement of Paint

My body of work combines abstract art with the technique of poured paintings to investigate the unintentional outcome of the movement of paint. I prefer to explore the techniques and methods of how a painting is created. The material I tend to use in my art practice consists of a minimum of five watered-down acrylic paints combined with a pouring medium for it to flow with ease on canvases. Well-known artists that have influenced my art practice are Jackson Pollock, Barbara Nicholls and Mali Morris in which they all perform several abstract pieces with a movement technique for an unknown outcome. Within my practice, it concludes a wide range of methods of pouring, mixing, splashing, blending, blowing, changing and a dozen more processes that construct my creative interests into a masterpiece. Most recently, I have decided to take upon my personal interest within the theme of abstraction, the movement of paint. For a better understanding of this point, it is more so the process of the painting in motion, how does it get to A to B using different equipment, experiments etc. I have always loved my outcomes, but it is how it was created that amuses me the most. The flow of paint, how it runs with the colours at hand upon the plain white canvas. Most of my techniques begin at a starting point where I come into play for the paint, a little push will start the flow of liquid engaging with its other companions on its journey to create an abstract art piece that will show the outcome of its life in front of your eyes. I am hoping to get this point across in upcoming art exhibitions and art shows to a bigger audience to show I can extend my practice further in much greater detail.