HoPIN Webinar - Woodcuts and Wood Engraving

Artsfest / Artsfest 2021 / HoPIN Webinar - Woodcuts and Wood Engraving

This Artsfest Online event will feature illustrated talks on the subjects of woodcuts and wood-engraving.

The webinar will be introduced by John Hinks co-ordinator of HoPIN, Honorary Research Fellow in Printing History and Culture at Birmingham City University.

The new History of the Printed Image Network (HoPIN), aims to connect those interested in the history of printed images, including (but not limited to) artistic prints, book illustration, chapbooks, ballad-sheets, maps, photographs, transfer-prints, etc.

There is no charge for membership or for online events. The network – which is part of the Centre for Printing History and Culture (a joint venture of Birmingham City University and the University of Birmingham) – is open to anyone interested in printed images: academics, curators, printmakers and other practitioners, in fact anyone with an interest in the field. The only limitation is that HoPIN focuses on the history of the printed image rather than current practice, except of course where practice is informed by historical awareness. To join HoPIN, email the network co-ordinator: john.hinks@bcu.ac.uk

Speakers:

Barry McKay (independent researcher and antiquarian bookseller)

The Dunn Family of Chapbook Printers and the Woodcuts of ‘R.M.’

John Dunn of Whitehaven was the first printer of chapbooks in Cumberland, after an interregnum when the business was in the control of his brother-in-law, his daughter Ann, and son Brownrigg Nicholson re-established and continued the tradition. I will outline the history of the business during the second half of the eighteenth century before concentrating on the woodcuts used in their chapbooks. For the most part those chapbooks, carrying one or other of their imprints, contain woodcuts signed ‘R. M.’; however, the situation is complicated by the same man’s work being found in other non-specific imprints. All the known woodcuts by ‘R. M.’ will be examined, their appearances reported and occasionally their influences and other versions brought to notice. A tentative identification of ‘R. M.’ will be made.

Dr Johanna Holmes (independent historian)

‘An honourable, elegant and lucrative employment’: women and the practice of wood-engraving, 1830-1870.

Throughout this period women were exhorted to participate as wood-engravers in the commercial production of visual imagery, on the grounds that an independent and artistically-satisfying living could be made. This talk focuses on three initiatives to facilitate this: William Harvey and John Jackson in the 1830s, the Department of Science and Art in the 1850s, and the Society for the Promotion of Employment for Women (SPEW) in the 1860s. Consideration of their success, or otherwise, and the subsequent career trajectories of some of the women who participated, reveals the changing structure and values – economic and artistic - of wood-engraving over this forty-year period.

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